As a recent college graduate with a degree in English, this statement could have me censured. Or ex-communicated. Or whatever it is they do to English majors who don't like one of the greatest writers of all time. I can recognize why he is great. I read Ulysses, The Portrait of an Artist as a Young Man, and several of his short stories. I love that he's Irish. Great. I don't love his writing, but I can still appreciate it. My real problem stems from the hordes of people who hold him up as perhaps the greatest writer ever. The stare at his words until an olive on a dining room table becomes a metaphor for man's plight of self-discovery or some such bit of non-sense, and I don't like it. What's worse, I've always had this sense that Joyce was smart enough to never disagree with the interpretations of his work and so eventually, a story he thieved from the Greeks came to mean EVERYTHING EVER. When I read his works, I can't help but feel like he's peaking out from behind the text, whispering, "haha! I'm smarter than you!"
And I hate that.
But it is his inaction to correct other's interpretation of what his stories mean that has given him ultimate power as an author, and the corrupt side of me appreciates that. In communications, we all could take a lesson here.
I realized this while cruising the photos presented on "Stumbleupon," and after a series of photos of the night sky (we get it folks... stars are pretty) I came upon what could have been the most iconic image of the modern era.
http://www.stumbleupon.com/su/8A0xsL/animalnewyork.com/wp-content/uploads/2011/06/PARTING-SHOT-VAN.jpg (my actual stumbleupon link)
http://www.stumbleupon.com/su/8A0xsL/animalnewyork.com/wp-content/uploads/2011/06/PARTING-SHOT-VAN.jpg (my actual stumbleupon link)
It's got everything. Violence. Unrest. Passion. Tension. Sex. Love. All of it in a single frame, and for the week that followed those riots in Canada, the world was obsessed with that image.
People wondered if it was a statement of love over violence or the ultimate act of civil disobedience. We couldn't get enough.
Then the press actually found the couple who proceeded to ruin it for everyone. Turns out, she fell, he was comforting her. That's it. No statement. No grand gesture. She might have twisted her ankle.
Now the image is nothing more than a picture that you find when (appropriately) stumbling online and it has all the impact of another image of stars in the night sky. If the couple would have taken a page from James Joyce and agreed to every interpretation of what was happening, that image could have fixed the global economy (probably not, but we'll never know now).
How does this apply to marketing?
When institutions develop brands, there is usually a great amount of work put into developing key features of that institution that should be represented continually throughout all communications. Organizations may call them Brand Pillars or Drivers, but the function is the same. No matter what is produced in marketing, the advertisements should stem from that platform. This is great in development and for internal development and makes everyone's job on the marketing team that much easier.
The problem occurs when those marketing messages are sent out into the real world and consumed by target audiences. Suddenly, the interpretation can shift. In fact, those "incorrect" interpretations of your advertising may lead you to more effective advertising in the long run.
What it boils down to is this. No matter what someone sees in your advertising, there is no point in correcting them (as long as it is good and can be supported in some way). Take credit even when it may not be due. This "Of course I meant to do that" attitude can save you a lot of headaches and help your brand find its audience more effectively.
James Joyce did, and it has worked out well for him.